Surrealism and film after 1945 Rodney Lowe

Surrealism and film after 1945 Rodney LoweSurrealism and Film after 1945 is the first collection devoted to the vibrant culture of transnational surrealist cinema since the Second World War. Eleven chapters by leading and emerging scholars of surrealism and film studies establish the parameters of this history and situate surrealism as a major force in postwar cinema.

including television

This volume is the first to focus exclusively on diasporic filmmaking and the rich cultural diversity within Australian cinema

rejectingviews that see rural society exclusively through the structures of lordship and challenging the teleological idea of the residential group as the prototype of the late-medieval structured community

8 b&w illus

media studies and critical cartography come together in this book to explore different ways of understanding these shifts

The book’s illuminating visual analysis and radical new interpretations of key contexts such as the Arts and Crafts Exhibition Society and the homes of William Morris call for a major reconsideration of the history of Victorian design

medieval plainchant to avant-garde jazz

the areas both of cooperation and conflict are revealed

the book redefines the notion of Dante’s reception by conducting the first material and book-historical inquiry into the formation and popularisation of the the critical and scholarly discourse on Dante in Victorian culture

Ivanova has chosen 88 objects that exemplify Taiwan's design excellence

Brings together the latest international research on a key medieval writer and thinker

with 200 images